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Essays & Criticism3 min read

Indecision: The Weight of Choices

“Man is condemned to be free.” From Sartre to de Chirico, we explore through art how indecision is not a weakness but the existential burden of modern life.

By artcycle

Lucian Freud, Self-Portrait.
Lucian Freud, Self-Portrait.

“Man is condemned to be free.” Jean-Paul Sartre, Being and Nothingness


Making choices is the price of freedom. Faced with limitless options, modern people feel not free but captive. Indecision is often not a lack; it is a blur created by excess. From a psychoanalytic point of view, it is the stage on which the self swings between desires and fears.

In the conflict between the id and the superego described by Freud, the self becomes an exhausted mediator between two authorities. As the desire for pleasure and the obligation to conform to norms choke each other, the moment of choice turns into a kind of freeze response. This freezing is often not passivity; it is a silent chaos in which endless scenarios are weighed in the mind.


Giorgio de Chirico – The Uncertainty of the Poet (1913)

Giorgio de Chirico, The Uncertainty of the Poet, 1913.

A classical sculptural form and everyday objects come together in a dreamlike space. The scene intensifies a feeling of uncertainty in a world where meaning is not fixed. De Chirico’s games of perspective leave viewers in the void of their own moments of decision.

René Magritte – The False Mirror (1929)

René Magritte, The False Mirror, 1929.

An eye filled with sky reminds us of both the limits and the infinity of the gaze. The image suggests that choice is sometimes less about what we see than about what we want to see. Magritte’s poetic realism presents indecision as a way of seeing.

Edward Hopper – Office in a Small City (1953)

Edward Hopper, Office in a Small City, 1953.

A figure sitting alone in an office looks out at the expanse beyond the glass. It is a visual metaphor for mental wandering within physical stillness, and for getting lost among options. Hopper makes the weight of indecision felt in moments filled with emptiness.

Ewa Juszkiewicz – Untitled (2013)

Ewa Juszkiewicz, Untitled, 2013.

Covering the faces of classical portraits with flowers and fabric patterns, the artist makes choices of identity invisible. The figure forces viewers to choose whether to “see” or to “look away”.

Paula Rego – The Dance (1988)

Paula Rego, The Dance, 1988.

A group of figures moves in different directions within the same scene. The broken rhythm between the bodies shows that social and individual indecision can exist at the same time. Rego reminds us that moments of decision sometimes create not harmony but disorder.


Indecision is not only a weakness; it is also a field of potential. Every choice contains the loss of other possibilities while making a new one possible. The fatigue of modern people often comes not from the sheer number of options but from being unable to embrace any of them fully. Existentialist thought sees the moment of choice as the price of freedom. As Sartre is often summarised, not deciding is also a decision. Carried with awareness, indecision can turn into a creative waiting.


Reading Note

“Being and Nothingness”, Jean-Paul Sartre

One of the founding texts of existentialist philosophy on freedom, choice and responsibility.

“Choice”, Renata Salecl

Examines the psychological and cultural dimensions of the pressure to decide in modern society.

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